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Tiberian Hebrew is the canonical pronunciation of the Hebrew Bible or Tanakh committed to writing by Masoretic scholars living in the Jewish community of Tiberias in ancient Judea c. 750–950 CE. They wrote in the form of Tiberian vocalization,[1] which employed diacritics added to the Hebrew letters: vowel signs and consonant diacritics (nequdot) and the so-called accents (two related systems of cantillation signs or te'amim). These together with the marginal notes masora magna and masora parva make up the Tiberian apparatus.
Though the written vowels and accents came into use only c. 750 CE, the oral tradition they reflect is many centuries older, with ancient roots. Although not in common use today, the Tiberian pronunciation of Hebrew is considered by textual scholars to be the most exact and proper pronunciation of the language as it preserves all of the original Semitic consonantal and vowel sounds of ancient Hebrew.
Today's Hebrew grammar books do not teach the Tiberian Hebrew described by the early grammarians. The prevailing view is that of David Qimchi's system of dividing the graphic signs into "short" and "long" vowels. The values assigned to the Tiberian vowel signs reveals a Sephardi tradition of pronunciation (the dual quality of qames (אָ) as /a/, /o/; the pronunciation of simple sheva (אְ) as /ɛ̆/).
The phonology of Tiberian Hebrew can be gleaned from the collation of various sources:
In the last two it is evident that the chain of transmission is breaking down, or that their interpretations are influenced by local tradition.
Tiberian Hebrew has 29 consonantal phonemes represented by 22 letters. The sin dot distinguishes between the two values of ש, with a dot on the left (שׂ) being pronounced the same as the letter Samekh. The letters בגדכפת (begadkefat) had two values each: plosive and fricative.
The most salient characteristics of the Tiberian Hebrew consonantal pronunciation are:
The vowel qualities /a e i ɔ o u/ have phonemic status: viz. אשָם הוא אשֹם אשַם (Lev. 5:19) and אשֵם 'guilty', אִם 'when' and אֵם 'mother'.[3] /ɛ/ has phonemic value in final stressed position: רעֶה רעִי רעָה, מקנֶה מקנֵה, קנֶה קנָה קנֹה, but in other positions it may reflect loss of the opposition /a : i/.[3] By the Tiberian time, all short vowels in stressed syllables had lengthened, making vowel length allophonic.[4][nb 1] Vowels in open or stressed syllables had allophonic length (e.g. /a/ in יְרַחֵם, which was previously short).[5][nb 2]
The Tiberian tradition possesses three reduced (ultrashort, hatuf) vowels /ă ɔ̆ ɛ̆/ of which /ɛ̆/ has questionable phonemicity.[6][7][nb 3] /ă/ under a non-guttural letter was pronounced as an ultrashort copy of the following vowel before a guttural, e.g. וּבָקְעָה [uvɔqɔ̆ˈʕɔ], and as [ĭ] preceding /j/, e.g. תְדַמְּיוּנִי [θăðammĭˈjuːni], but was always pronounced as [ă] under gutturals, e.g. חֲיִי [ħăˈji].[8][9]
Tiberian Hebrew has phonemic stress, e.g. בָּנוּ֫ /bɔˈnu/ 'they built' vs. בָּ֫נוּ /ˈbɔnu/ 'in us'; stress is most commonly ultimate, less commonly penultimate, and antipenultimate stress exists marginally, e.g. הָאֹ֫הֱלָה /hɔˈʔohɛ̆lɔ/ 'into the tent'.[10][nb 4]
As described above, vowel length was dependent on syllable structure. Open syllables must take long or ultrashort vowels, stressed closed syllables take long vowels, and unstressed closed syllables take short vowels. Traditional Hebrew philology considers ultrashort vowels not to constitute syllable nuclei.
The simple sheva sign changes its pronunciation depending on its position in the word (mobile/vocal or quiescent/zero), as well as due to its proximity to certain consonants.
In the examples given below, it has been preferred to show one found precisely in the Bible which represents each phenomenon in a graphic manner (i.e. a chateph vowel), although these rules still apply when there is only simple sheva (depending on the manuscript or edition used).
When the simple sheva appears in any of the following positions, it is regarded as mobile (na):
The gutturals (אהח"ע), and yodh (י), affect the pronunciation of the sheva preceding them. The allophones of the phoneme /ă/ follow these two rules:
It must be said that, even though there are no special signs apart /ɛ̆/, /ɐ̆/, /ɔ̆/ to denote the full range of furtive vowels, these remaining four (/u/, /i/, /e/, /o/) are represented by simple sheva (chateph chireq (אְִ) in the Aleppo Codex is a scribal oddity, and certainly not regular in Hebrew manuscripts with Tiberian vocalization).
All other cases should be treated as zero vowel (quiescent, nah), including the double final sheva (double initial sheva does not exist in this Hebrew dialect), and the sheva in the word שְׁתַּיִם /ˈʃtɐːjim/, read by the Tiberian Masoretes as אֶשְׁתַּיִם /ʔɛʃˈtɐːjim/. This last case has similarities with phenomena occurring in the Samaritan pronunciation and the Phoenician language.
Depending on the school of pronunciation (and relying on musical grounds, perhaps), the metheg sign served to change some closed syllables into open ones, and therefore, changing the vowel from short to long, and the quiescent sheva, into a mobile one.
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