World Library  
Flag as Inappropriate
Email this Article

Scuola Romana

Article Id: WHEBN0031868647
Reproduction Date:

Title: Scuola Romana  
Author: World Heritage Encyclopedia
Language: English
Subject: Raffaele Frumenti, Roberto Melli, Corrado Cagli, Modern art, Art movement
Collection:
Publisher: World Heritage Encyclopedia
Publication
Date:
 

Scuola Romana

Il ponte degli angeli (The Bridge of Angels,1930), work by Scipione (Gino Bonichi)

Scuola romana or Scuola di via Cavour was a 20th-century art movement defined by a group of painters within Expressionism and active in Rome between 1928 and 1945, and with a second phase in the mid-1950s.

Birth of the movement

In November 1927, artists Antonietta Raphaël and Mario Mafai[1] moved to No. 325 of Roman street via Cavour, in a Savoyan palace subsequently demolished in 1930 in order to allow the fascist construction of the New Empire Way (currently the via dei Fori Imperiali). The apartment's larger room was transformed into a studio.

Within a short time, this studio became a meeting point for literati such as Enrico Falqui, Giuseppe Ungaretti, Libero de Libero, Leonardo Sinisgalli, as well as young artists Scipione, Renato Marino Mazzacurati,[2] and Corrado Cagli.

Contraposition to the sensibility of the Return to Order Movement

The spontaneous confluence of artists at the via Cavour studio does not appear to have been led by true and proper programmes or manifestos, but rather by friendship, cultural syntheses and a singular pictorial cohesion. With their firm approach to European expressionism, they formally contraposed the solid and orderly painting of neoclassic character, promoted by the Return to order current in the 1920s, which was particularly strong in the Italian sensibility of post-World War I.

The first identification of this artistic group should be attributed to Roberto Longhi, who wrote:[3]
From its very address, I'd call this the Scuola di via Cavour, where Mafai and Raphaël used to work...
and added:
An eccentric and anarchoid art that could hardly be accepted by us, but it's all the same a notable sign of today's mores.

Longhi used this definition to indicate the special work he perceived these artists to be performing within the expressionist universe, breaking off from official art movements.[4]

Carlo Levi in 1947, as a member of the 2nd season Scuola
During those years, painter Corrado Cagli too used the appellative of Scuola romana.[5] His critique does not linger on name identification for the "nuovi pittori romani (new Roman painters)" animating this new movement. Cagli described a spreading sensitivity and spoke of an Astro di Roma (Roman Star), affirming that was the real poetic basis of the "new Romans" :
In a primordial dawn all has to be reconsidered, and Imagination relives all wonders and trembles for all mysteries.

thus highlighting the complex and articulated Roman situation, as opposed to what Cagli called the imperating Neoclassicism of the Novecento Italiano. The Scuola romana offered a wild painting style, expressive and disorderly, violent and with warm ochre and maroon tones. The formal rigour was replaced by a distinctly expressionist visionariness.[6]

Scipione, for instance, brought to life a sort of Roman baroque expressionism, where often decadent landscapes appear of Rome's historical baroque centre, populated by priests and cardinals, seen with a vigorously expressive and hallucinated eye. Similar themes were present in Raffaele Frumenti's paintings in the second season of the Scuola, with vivid red hues and soft brush strokes.

Second Season of the Scuola Romana

After 1930, instead of dying out due its major representatives' death (i.e., Scipione, Mafai and wife Antonietta Raphaël), the Scuola Romana continued with various other artists of a "second season", which developed during the 1930s and matured soon after World War II. Among them were Roberto Melli, Renato Marino Mazzacurati, Guglielmo Janni, Renzo Vespignani and the socalled tonalists led by Corrado Cagli, Carlo Levi, Emanuele Cavalli and Capogrossi, all gravitating around the activities of the "Galleria della Cometa”.[7]

Later members included personalities such as Fausto Pirandello (son of Nobel Prize Luigi),[8] Renato Guttuso, the brothers Afro and Mirko Basaldella,[9] Leoncillo Leonardi, Raffaele Frumenti, Sante Monachesi, Giovanni Omiccioli and Toti Scialoja.[10]

Museum of the Scuola Romana

The Villa Torlonia in Rome hosts, in its classic "Casino Nobile", the renowned Museums of Villa Torlonia,[11] part of the Museum System of the Comune di Roma: on its 2nd floor one can visit the Museum of the Scuola Romana, offering a comprehensive view of this art movement.

Bibliography

  • Maurizio Fagiolo Dell'Arco - Valerio Rivosecchi - Emily Braun, Scuola Romana. Artisti tra le due guerre, Milan, Mazzotta, 1988 ISBN 88-202-0846-6
  • Giorgio Castelfranco - Dario Durbe, La Scuola romana dal 1930 al 1945, Rome, De Luca, 1960
  • Maurizio Fagiolo Dell'Arco, Maurizio, Scuola Romana: pittura e scultura a Roma dal 1919 al 1943, Rome, De Luca, 1986 ISBN 88-202-0829-6

Notes

  1. ^ See also it:Wiki for Antonietta Raphaël and Mario Mafai.
  2. ^ On Mazzacurati, see also his biographical (Italian) note at Scuola Romana.it
  3. ^ in L'Italia Letteraria (Literary Italy) of 7 April 1929.
  4. ^ In the journal L'Italia Letteraria of 14 April 1929, where a concomitance with Marc Chagall is also mentioned.
  5. ^ Anticipi sulla Scuola di Roma (Anticipations on the School of Rome) on "Quadrante" (I,1933 n.6)
  6. ^ Cf. Renato Barilli, L'arte contemporanea: da Cézanne alle ultime tendenze, Feltrinelli, 2005, p.248: "... a savage and reductive raffiguration dominates, which recalls distant baroque trends, or even closer to the expressionist furores of artists such as Chagall, made viable to them thanks to Antonietta Raphaël, who had known him in Paris."
  7. ^ Cf. Galleria della Cometa, history
  8. ^ See his painting Awakening (ca. 1948) on Tate Collection. Accessed 24 May 2011
  9. ^ Cf. note on Roaring Lion II at Mirko Balsadella and bio on Scuola Romana.it.
  10. ^ For these, see also it:Wiki under Sante Monachesi and Toti Scialoja.
  11. ^ See Musei Torlonia and the portal Museums of Rome, which include virtual tours.

See also

External links

  • (English) Tate Gallery, s.v. entry
  • (English) Roman School, art note on the initial 19th century movement. Accessed 24 May 2011
  • (Italian) Museum of the Scuola Romana, official site
  • (Italian) Museum's excerpts of Scuola. Accessed 24 May 2011
  • (Italian) Scuola romana, dedicated website
  • (Italian) Glossary entry
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 



Copyright © World Library Foundation. All rights reserved. eBooks from World Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.