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Michel Houellebecq

Michel Houellebecq
Born Michel Thomas
(1956-02-26) 26 February 1956
Réunion island, France
Occupation Novelist, filmmaker and poet

Michel Houellebecq (French: ; born Michel Thomas; 26 February 1958 or 1956) is an award-winning French author, filmmaker, and poet. Having written poetry and a biographical essay on the horror writer H. P. Lovecraft, he published his first novel, Whatever, in 1994. Atomised followed in 1998, and Platform in 2001. He published a book of poems, Le Sens de Combat (translated into English as The Art of Struggle), in 1996. After a publicity tour for Platform led to his being taken to court for inciting racial hatred, he moved to Ireland to write for several years.[1] He currently resides in France.[2] In 2010 he published the Prix Goncourt-winning La Carte et le Territoire (published the same year in English as The Map and the Territory).


  • Early life 1
  • Works 2
  • Adaptations 3
  • Criticisms 4
  • Bibliography 5
    • Novels 5.1
    • Other books 5.2
    • 5.3 Articles
    • Films 5.4
    • CDs 5.5
    • Published in collaboration 5.6
  • Works on Michel Houellebecq 6
  • See also 7
  • References 8
  • External links 9

Early life

The son of Lucie Ceccaldi, an Algerian-born French doctor of Corsican descent,[3] and René Thomas, a ski instructor and mountain guide,[4] Houellebecq was born in 1958 on the French island of Réunion. He lived in Algeria from the age of five months until 1961, with his maternal grandmother. As his website gloomily states, his parents "lost interest in his existence pretty quickly" and at the age of six, he was sent to France to live with his paternal grandmother, a communist, while his mother headed off to live the hippie lifestyle in Brazil with her newly met boyfriend. His grandmother's maiden name was Houellebecq, which he took as his pen name. Later, he went to Lycée Henri Moissan, a high school at Meaux in the north-east of Paris, as a boarder. He then went to Lycée Chaptal in Paris to follow preparation courses in order to qualify for Grandes écoles (elite schools). He began attending the Institut National Agronomique Paris-Grignon in 1975. He started a literary review called Karamazov and wrote poetry.


Michel Houellebecq, Warsaw, June 2008

Houellebecq graduated as an agronomist in 1980, married and had a son; then he divorced, became depressed and took up writing poetry. His first poems appeared in 1985 in the magazine La Nouvelle Revue. Six years later, in 1991, he published a biography of the horror writer H. P. Lovecraft, a teenage passion, with the prophetic subtitle Against the World, Against Life. Rester vivant: méthode (To Stay Alive) appeared the same year, and was followed by his first collection of poetry. Meanwhile, he worked as a computer administrator in Paris, including at the French National Assembly, before he became the so-called "pop star of the single generation", gaining fame with his debut novel Extension du domaine de la lutte in 1994 (translated by Paul Hammond and published as Whatever).

He won the 1998 Prix Novembre for his second novel Les Particules Élémentaires (translated by Frank Wynne) and published as Atomised (Heinemann, UK) or, The Elementary Particles (Knopf, US). The novel became an instant "nihilistic classic". Michiko Kakutani, however, described it in The New York Times as "a deeply repugnant read". The novel won Houellebecq (along with his translator, Frank Wynne) the International IMPAC Dublin Literary Award in 2002.

In 2000, Houellebecq published the short fiction Human Rights League, the Mecca-based World Islamic League and the mosques of Paris and Lyon. Charges were brought to trial, but a panel of three judges, delivering their verdict to a packed Paris courtroom, acquitted the author of having provoked 'racial' hatred, ascribing Houellebecq's opinions to the legitimate right of criticizing religions.

The Possibility of an Island (La Possibilité d'une île) (2005) is a novel that cycles between three characters' narratives, Daniel 1 (a contemporary comedian) and Daniels 24 and 25, neo-human clones of Daniel 1. He later adapted and directed the film based on his novel. In 2008, Flammarion published Ennemis publics (Public Enemies) a conversation via e-mail between Michel Houellebecq and Bernard-Henri Lévy.

Houellebecq has also released three music CDs on which he recites a selection of his poetry. Two of them, Présence de la mort and Établissement d'un ciel d'alternance (his best as handwritten by Houellebecq in the 2007 libretto) were recorded with composer Jean-Jacques Birgé in 1996 for Radio France and Grrr Records labels. Présence humaine (2000), on Bertrand Burgalat's Tricatel label, has a rock band backing him.

A recurrent theme in Houellebecq's novels is the intrusion of Platform, the logical conclusion is that they would respond positively to sex tourism organized and sold in a corporate and professional fashion.

Although Houellebecq's work is often credited with building on conservative, if not reactionary, ideas, his critical depiction of the hippie movement, New Age ideology and the May 1968 generation, especially in Atomised, echoes the thesis of Marxist sociologist Michel Clouscard.

His novel

  • Fan club
  • Holidays in the Sun by Travis Jeppesen
  • "A dog's life (poodles excepted)" by Michael Worton, The Guardian, 29 October 2005
  • "L'Étranger in a Strange Land: Michel Houellebecq's Weekend in L.A." by Brendan Bernhard, LA Weekly, June 2005
  • The man can't help it, In-depth interview, The Guardian, 31 August 2002.
  • 'Confused Extremes', review of Atomised in the Oxonian Review
  • An essay on Houellebecq and critical theory
  • The Possibility of An Island Reviews & Scores at
  • The Possibility of an Island Review on Stalker.
  • The Pursuit of the Hole, review of The Possibility of an Island in the Oxonian Review
  • Critical bibliography on Michel Houellebecq's works ( (French)
  • Interview with Houellebecq's mother, regarding her own memoir
  • Portrait Michel Houellebecq by Graphic Journalism

External links

  1. ^ The Sex Export the Independent on Sunday, 21 August 2005
  2. ^
  3. ^
  4. ^
  5. ^ Davies, Lizzy (8 September 2010). "Houellebecq fights off claims of plagiarism in new novel". The Guardian, Main section, p. 16. Published online (7 September 2010) as "Michel Houellebecq novel ruffles literary world again". Retrieved 15 September 2010.
  6. ^
  7. ^ The telegraph
  8. ^ The telegraph
  9. ^ a b c d Susannah Hunnewell (2010) 'Michel Houellebecq, The Art of Fiction No. 206' Fall 2010 The Paris Review
  10. ^
  11. ^ Perry Anderson, Dégringolade, London Review of Books, September 2004.
  12. ^
  13. ^ Stein, Lorin (23 October 2000). "What to Read in October." Salon, Published online (23 October 2000) as "What to Read in October". Retrieved 8 November 2011.
  14. ^
  15. ^ The Australian (10 August 2010) 'Has Mad, Bad Michel Houellebecq Come In From The Cold?' Arts Section
  16. ^ A selection of poems from 'La Poursuite du bonheur' and 'Le Sens du combat' has been translated into English by Robin Mackay in Collapse: Journal of Philosophical Research and Development vol. iv, Falmouth: Urbanomic, 2009, ISBN 978-0-9553087-3-4, pp.173–183.
  17. ^


See also

  • Ben Jeffery, Anti-Matter: Michel Houellebecq and Depressive Realism (2011)
  • James Grieve, "A Mongrel in the Path: Prose and Poetry by Michel Houellebecq", in Art & Authenticity (2010)
  • Aurélien Bellanger, Houellebecq écrivain romantique (2010)
  • Lucie Ceccaldi, L'innocente (2008)
  • Murielle Lucie Clément, Michel Houellebecq revisité (2007)
  • Murielle Lucie Clément and Sabine van Wesemael (eds.), Michel Houellebecq sous la loupe (2007)
  • Gavin Bowd (ed.), Le Monde de Houellebecq (2006)
  • Fernando Arrabal, Houellebecq (2005)
  • Éric Naulleau, Au secours, Houellebecq revient ! (2005)
  • Jean-François Patricola, Michel Houellebecq ou la provocation permanente (2005)
  • Denis Demonpion, Houellebecq non autorisé, enquête sur un phénomène (2005)
  • Sabine van Wesemael, Michel Houellebecq, le plaisir du texte (2005)
  • Olivier Bardolle, La Littérature à vif (Le cas Houellebecq) (2004)
  • Sabine van Wesemael (ed.), Michel Houellebecq (2004)
  • Dominique Noguez, Houellebecq, en fait (2003)
  • Murielle Lucie Clément, Houellebecq, Sperme et sang (2003)
  • Thomas Steinfeld, Das Phänomen Houellebecq (2001)
  • Manuel Chemineau, "Michel Houellebecq. Vive le trash!", in Wiener Zeitung, Extra (2 April 1999)

Works on Michel Houellebecq

  • Judith Barry, Pascal Convert & Rainer Pfnür (eds.) (1993) Genius Loci, Paris: La Différence.
  • Catherine Breillat (ed.) (1999) Le livre du plaisir, Paris: Éditions 1.
  • (1995) Objet Perdu: fictions – Idées – Images, Paris: Lachenal et Ritter & Parc Éditions.
  • Claus Hegemann (ed.) (2000) Kapitalismus und Depression II: Glück ohne Ende, Berlin: Alexander Verlag.
  • Dominique Noguez (ed.) (2002) Balade en Seine-et-Marne: Sur les pas des écrivains, Paris: Éditions Alexandrines.
  • Thomas Ruff & Michel Houellebecq (2002) Nudes, München: Walther König.
  • Sarah Wiame (drawings) & Michel Houellebecq (poems) (1993) La Peau, Paris: Sarah Wiame.
  • Sarah Wiame (drawings) & Michel Houellebecq (poems) (1995) La Ville, Paris: Sarah Wiame.

Published in collaboration

  • Le Sens du combat (1996) Paris: Les Poétiques de France Culture.
  • Présence humaine (2000) Paris: Tricatel.
  • Établissement d'un ciel d'alternance (2007) Paris: GRRR.



  • "Description d'une lassitude" (2002) in Houelle 10, Paris.
  • "Je crois peu en la liberté – Entretien" (1998) in Revue Perpendiculaire 11, Paris: Flammarion, p. 4–23.
  • "L'homme de gauche est mal parti" (2003) in Le Figaro 6/1/03, p. 1, 13.
  • "La question pédophile: Réponse" (1997) in L'Infini 59, Paris: Gallimard, pp. 96–98.
  • "La privatisation du monde" (2000) in L'Atelier du roman 23, Paris, pp. 129–34.
  • "Le haut langage" (1995) in La Quinzaine littéraire, 670; Paris; pp. 21–22.
  • "Michel Houellebecq répond à Perpendiculaire" (1998) in Le Monde 18 September 1998
  • "Neil Young" (2000) in Michka Assayas (ed.) Dictionnaire du rock, Paris: Robert Laffont (second part of the article, co-signed with Yves Bigot who wrote the more chronological first part).
  • "Préface" in Tomi Ungerer (2001) Erotoscope, Paris: Éditions Taschen.
  • "Préface: L'Humanité, second stade" (1998) in Valérie Solanas, Scum Manifesto, Paris: Éditions Mille et une nuits, pp. 63–69.
  • "Préface: Préliminaires au positivisme" (2003) in Bourdeau, Braunstein & Petit (eds.): Auguste Comte aujourd'hui, Paris: Éditions Kimé, pp. 7–12. (Translated as "Religion for Immortals," The Utopian, December, 2010)[17]
  • "Préface: Renoncer à l'intelligence" (1991) in Rémy de Gourmont, L'Odeur des jacinthes, Paris: Orphée/La Différence, pp. 7–20.
  • "Un monde sans direction" (1996) in La Quinzaine littéraire, 700; Paris; pp. 8–9.
  • "Wilde Flucht" (2000) in Tageszeitung Berlin, 30 October 2000.
  • "En présence de Schopenhauer" (2010) in, feb. 2010 (5 parts).


  • H. P. Lovecraft: Contre le monde, contre la vie (1991, trans. as H. P. Lovecraft: Against the World, Against Life by Dorna Khazeni, Intro by Stephen King, 2005), an analysis of the life and work of H. P. Lovecraft.
  • Rester vivant, méthode, La Différence (1991)
  • La Poursuite du bonheur, poèmes, La Différence (1992)
  • Le Sens du combat, poèmes, Flammarion (1996)[16]
  • Interventions, recueil d'essais, Flammarion (1998)
  • Renaissance, poèmes, Flammarion (1999)
  • Lanzarote (2000, trans. by Frank Wynne, 2002)
  • Ennemis publics (letters between Michel Houellebecq and Bernard-Henri Lévy), Flammarion (2008, transl. as Public Enemies: Dueling Writers Take on Each Other and the World, Random House, 2011, paperback, 320 pages, ISBN 0-8129-8078-6)
  • Configuration du dernier rivage, poèmes, Flammarion (2013)

Other books

  1. Extension du domaine de la lutte (1994, trans. as Whatever by Paul Hammond, 1998)
  2. Les Particules élémentaires (1998, trans. as Atomised by Frank Wynne, 2000; published in the US as The Elementary Particles)
  3. Plateforme (2001, trans. as Platform by Frank Wynne, 2002)
  4. La Possibilité d'une île (2005, trans. as The Possibility of an Island by Gavin Bowd, 2006)
  5. La Carte et le Territoire, Paris, Flammarion (2010, trans. as The Map and the Territory by Gavin Bowd, 2012)
  6. Soumission, Flammarion, Paris (2015, trans. as Submission by Lorin Stein, 2015)



Houellebecq has been accused of polemic stunts for the media. The author's statements in interviews and from his novels, led to the accusation that he was anti-Islamic. In 2002, Houellebecq faced trial on charges of racial hatred after calling Islam "the dumbest religion" in an interview about his book Platform published in the literary magazine Lire. He told a court in Paris that his words had been twisted, saying: “I have never displayed the least contempt for Muslims [but] I have as much contempt as ever for Islam".[14] The court acquitted him.[15] He was sued by a civil-rights group for hate speech and won on the grounds of freedom of expression.[9]

"First of all, they hate me more than I hate them. What I do reproach them for isn’t bad reviews. It is that they talk about things having nothing to do with my books—my mother or my tax exile—and that they caricature me so that I’ve become a symbol of so many unpleasant things—cynicism, nihilism, misogyny. People have stopped reading my books because they’ve already got their idea about me. To some degree of course, that’s true for everyone. After two or three novels, a writer can’t expect to be read. The critics have made up their minds."[9]

Here is Houellebecq's response to negative reviews, ten years later:

"Houellebecq may despair of love in a free market, but he takes love more seriously, as an artistic problem and a fact about the world, than most polite novelists would dare to do; when he brings his sweeping indignation to bear on one memory, one moment when things seemed about to turn out all right for his characters, and didn’t, his compassion can blow you away."[13]

Literary critics have labeled Michel Houellebecq's novels "vulgar", "pamphlet literature" and "pornography"; he has been accused of obscenity, racism, misogyny and Islamophobia.[9][10] His works, particularly Atomised, received high praise from the French literary intelligentsia; and though the critical response internationally was generally positive, there were notably poor reviews in The New York Times by Michiko Kakutani and Anthony Quinn, Perry Anderson,[11] as well as mixed reviews from The Wall Street Journal.[12] Meanwhile, without ignoring the book's grotesquerie, Lorin Stein from Salon, now editor of The Paris Review, made a spirited defense:


American rock singer and "godfather of punk" Iggy Pop released in 2009 the rather quiet album Préliminaires, which he described as influenced by his reading of Michel Houellebecq's novel The Possibility of an Island. The author considered it a great honour, as he was himself deeply affected as a teenager by Iggy Pop's music with The Stooges.[9]

The film La Possibilité d'une île, directed by Houellebecq himself and based on the novel, premiered in France on 10 September 2008.

Atomised has been made into a German film, Atomised, directed by Oskar Roehler, starring Moritz Bleibtreu and Franka Potente. The film premiered in 2006 at the 56th Berlin International Film Festival.

Along with Loo Hui Phang, Houellebecq wrote the manuscript for the film Monde extérieur (2002) by David Rault and David Warren.

The English translation of his novel Platform was adapted as a play by the theatre company Carnal Acts for the Institute of Contemporary Arts (ICA) in London in December 2004. A Spanish adaptation of the novel by Calixto Bieito, performed by Companyia Teatre Romea, premiered at the 2006 Edinburgh International Festival.

Whatever has been filmed by Philippe Harel with the same title and adapted as a play in Danish by Jens Albinus for the Royal Danish Theatre.


On 7 January 2015, the date of the Charlie Hebdo shooting, the novel Soumission was published. The book describes a future situation in France (2022), when a Muslim is ruling the country according to Islamic law. On the same date, a cartoon of Houellebecq appeared on the cover page of Charlie Hebdo and the caption, "The Predictions of Wizard Houellebecq.".[7] In an interview with Antoine de Caunes after the shooting Houellebecq stated he was unwell and had cancelled the promotional tour for Soumission.[8]


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