World Library  
Flag as Inappropriate
Email this Article
 

Michael Billington (critic)

Michael Billington
Michael Billington, 22 April 2010
Born Michael Keith Billington
(1939-11-16) 16 November 1939
Leamington Spa, Warwickshire, England
Occupation Critic
Nationality British
Genre criticism, biography
Notable works Harold Pinter (The Life and Work of Harold Pinter)
State of the Nation: British Theatre Since 1945
Notable awards Theatre Book Prize
Spouse Jeanine Bradlaugh (1978– )
Children One Daughter
Website
.html/index_billington/michael/authors/theatre.uk.co.guardianblogs

Michael Keith Billington OBE (born 16 November 1939) is a British author and arts critic.[1] Drama critic of The Guardian since October 1971, he is "Britain's longest-serving theatre critic" and the author of biographical and critical studies relating to British theatre and the arts; most notably, he is the authorised biographer of the playwright Harold Pinter (1930–2008).[2][3][4]

Contents

  • Early life and education 1
  • Career 2
    • Academic work and conferences 2.1
    • Biographical and critical studies 2.2
    • Theatre work 2.3
    • Other writing 2.4
  • Personal life 3
  • In popular culture 4
  • Honours 5
  • Notes 6
  • Bibliography 7
  • External links 8

Early life and education

Billington was born on 16 November 1939, in Leamington Spa, Warwickshire, England, and attended Warwick School, an independent boys' school in Warwick.[5][6][7] He attended St Catherine's College, Oxford from 1958 to 1961, graduating with a BA degree.[7][8]

As a member of Oxford University Dramatic Society (OUDS), in 1959, Billington played the Priest in The Birds, by Aristophanes, his only appearance as an actor,[9][10] and, in 1960, he directed a production of Eugène Ionesco's The Bald Prima Donna, a performance of which was attended by Harold Hobson, the drama critic for The Sunday Times.[8] Although it won "an Oxford drama competition" and was an entry in that year's National Student Drama Festival (NSDF 1960), which Hobson had co-founded in 1956, Billington's directorial debut was not well received at the Festival, yet Billington credits Hobson with having "changed my life."[8] After the Festival, he decided to forego pursuing a career as a theatre practitioner to "follow" Hobson's "footsteps" and become a critic of theatre too; five years later, they would become colleagues at The Times.[8]

Career

After leaving Oxford, in 1961, Billington began working as an arts critic in Liverpool, for the Liverpool Daily Post & Echo.[7] From 1962 to 1964, he served as public liaison officer and director for the Lincoln Theatre Company, in Lincolnshire.[6][11] From 1965 to 1971, he reviewed television, movies, and plays as an arts critic for The Times; from 1968 to 1978, he was also film reviewer for the Birmingham Post, and from 1968 to 1981, for The Illustrated London News.[3][6] In October 1971, he left The Times to become theatre critic for The Guardian.[2] Beginning in the 1980s, he was a London arts correspondent for The New York Times,[12] and, since 1988, he has also served as drama critic for Country Life.[3][6]

Billington's broadcasting career had began by 1965. Philip French, then a BBC radio producer, asked him to review two short radio plays by the then virtually unknown Tom Stoppard which were being broadcast on the BBC Third Programme.[13] Later, he was a presenter (and participant) in Critics Forum (Radio 3), which ended in 1990, and the Kaleidoscope arts programme (Radio 4). He has contributed to other British arts and drama radio and television programmes.[6]

Academic work and conferences

Billington has taught in the University of Pennsylvania's Penn-in-London program since at least as early as 1997, and he teaches courses in theatre at King's College London, where he has been a visiting professor since 2002.[3][14][15]

After attending the December 2005 Europe Theatre Prize, in Turin, Italy, in March 2006.

In April 2007, Billington presented an invited paper on "Is British Theatre As Good As It Claims?" to the Elizabethan Club, at Yale University, in New Haven, Connecticut, prior to moderating a panel discussion at the conference Artist and Citizen: 50 Years of Performing Pinter", at the University of Leeds, where he attended and later reviewed the production Being Harold Pinter, by the Belarus Free Theatre.[16][17]

Biographical and critical studies

The author of several biographical and critical studies of subjects relating to British theatre and the arts, including books about Peggy Ashcroft (1907–1991), Tom Stoppard (born 1937), and Alan Ayckbourn (born 1939), Billington is also the official authorised biographer of 2005 Nobel Laureate in Literature Harold Pinter (1930–2008) which first appeared in 1996.

In March 2007 Faber and Faber published Billington's book State of the Nation: British Theatre Since 1945, which won the 2007 annual Theatre Book Prize from The Society for Theatre Research, presented to Billington by Sir Donald Sinden on 1 April 2008.[18][2][5][19][20] Billington has spoken about the book at various venues, including the Warwick Arts Centre, at the University of Warwick,[4] and has reviewed his reviews.[21]

Following Pinter's death on 24 December 2008, The Bookseller reported that Faber and Faber planned "to rush out an updated version" of Harold Pinter, "which will take account of the international response to Pinter's death, ... at the end of January [2009]" and that it "will be released first as an e-book."[22]

He is currently writing a biography of Dion Boucicault, which will be published only in braille.

Theatre work

As a director his work also includes The Will by Marivaux at the Barbican Conservatory, London, with an ensemble from the Royal Shakespeare Company in 1987; Pinter's The Lover and Strindberg's The Stronger at the Battersea Arts Centre in 1997, and in 2008 at the MacOwan Theatre, Kensington, Pinter's Party Time and Celebration with students from the London Academy of Music and Dramatic Art.[23][24][25]

Other writing

Billington blogs for guardian.co.uk and formerly also for Whatsonstage.com.

Personal life

Billington married Jeanine Bradlaugh in 1978; they have one daughter and live in London.[3] He is a supporter of the Labour Party. [26]

In popular culture

In fiction, Billington's name was introduced in Death of a Hollow Man by Caroline Graham, later adapted as for the Midsomer Murders television mystery series, in which DCI Tom Barnaby coaxes deluded local director, and double murderer, Harold Winstanly into accompanying him to the police station by suggesting Michael Billington and journalists from various respectable publications would be waiting to discuss his work.[27]

Honours

Billington was made an Honorary Fellow of St Catherine's College, Oxford in 2005[7] and was awarded an Honorary Doctorate by The University of Warwick in July 2009.[28]

He was appointed Officer of the Order of the British Empire (OBE) in the 2013 New Year Honours for services to the theatre.[29]

Notes

  1. ^ "Featured Alumni: Michael Billington: Author and Arts Critic, St Catherine's College".  
  2. ^ a b c Billington, Michael (3 October 2007). "Profile". Theatre & Performing Arts: The Blog (London: blogs.guardian.co.uk). Retrieved 6 June 2008. 
  3. ^ a b c d e Sleeman, Elizabeth. "Billington, Michael". International Who's Who of Authors and Writers 2004. London:  
  4. ^ a b "'"Events: Michael Billington: 'State of the Nation. Archived from the original on 7 February 2008. Retrieved 8 June 2008. 
  5. ^ a b Allen, Paul (4 June 2008). "Michael Billington, Stage Left".   [Book rev.]
  6. ^ a b c d e "Michael Billington". Contemporary Writers in the UK.  
  7. ^ a b c d "Michael Billington".  
  8. ^ a b c d Haydon, Andrew (1 August 2007). "Critical Thinking".  
  9. ^ Billington, Michael (24 January 2002). "Obituary: John McGrath".  
  10. ^ Senior, Ian (6 August 2004). "Strictly for The Birds: Michael Billington and Others". R Cubed News: A Review of Rotten Reviewers (95). Retrieved 6 June 2008. 
  11. ^ Billington, Michael (5 June 2006). "Where Professionals Fear to Tread". Michael Billington Blog (London: guardian.co.uk, Culture Vulture). Retrieved 8 June 2008. When I worked at  
  12. ^ Billington, Michael (15 April 1984). Voyage Round My Father' sails On"'".  
  13. ^ Billington, Michael (28 October 2015). "Michael Billington on Philip French: A kind man with an encyclopedic memory". The Guardian. Retrieved 28 October 2015. 
  14. ^ "Penn English Program in London". Department of English London Program. english.upenn.edu. Retrieved 9 June 2008. The centerpiece of the program is the Penn Theatre course (ENGL068). Participants study with the renowned  
  15. ^ "Theatre Schedule: Spring 2008: With Critic Michael Billington". Department of English London Program. english.upenn.edu. Archived from the original on 3 June 2008. Retrieved 9 June 2008. Fall 2006  [Schedules of past academic semesters listed in reverse chronological order].
  16. ^ Billington, Michael (16 April 2007). "The Importance of Being Pinter". Michael Billington Blog (London: guardian.co.uk). Retrieved 8 June 2008. 
  17. ^ Billington, Michael (15 April 2008). "Belarus Free Theatre Will Not Be Silenced". Michael Billington Blog (London: guardian.co.uk). Retrieved 8 June 2008. 
  18. ^ "Guardian's Theatre Critic Scoops Book Prize".  
  19. ^ "Michael Billington Wins STR Theatre Book Prize with The State of the Nation".  
  20. ^ Page, Benedicte (20 September 2007). "Books: Michael Billington: Taking Centre Stage".  
  21. ^ Billington, Michael (6 November 2007). "The Reviewer Reviewed". Comment Is Free (London: guardian.co.uk (Blog)). Retrieved 8 June 2008. We all love seeing our work praised, but I most relish the well-aimed critical arrows. Honest.  (7 moderated comments, with "comments now closed.")
  22. ^ Wood, Felicity (7 January 2009). "Faber Rushes Out Billington Ebook" ( 
  23. ^ Oddy, Julian. "Marivaux (1688–1763) Adaptations/translations by Modern Playwrights" ( 
  24. ^  
  25. ^ "Party Time & Celebration" ( 
  26. ^ https://www.thestage.co.uk/features/interviews/2015/big-interview-michael-billington/
  27. ^  
  28. ^ Dunn, Peter; Abbott, Tom (2009). "Honorary Degrees for Pensions Campaigner, World Trade Director and Theatre Critic". Warwick News and Events. University of Warwick. Retrieved 30 August 2009. 
  29. ^ The London Gazette: (Supplement) no. 60367. p. 9. 29 December 2012.

Bibliography

Books by Billington
  • The Modern Actor. London: Hamilton, 1973. ISBN 978-0-241-02094-4.
  • How Tickled I Am: A Celebration of Ken Dodd. London: Elm Tree Books, 1977. ISBN 978-0-241-89345-6.
  • Alan Ayckbourn. London: Macmillan, 1984. ISBN 978-0-394-53856-3. Rev. ed. 1990. ISBN 978-0-394-62051-0.
  • Stoppard: The Playwright. London: Methuen, 1987. ISBN 978-0-413-45850-6. ISBN 978-0-413-45860-5.
  • Peggy Ashcroft. London: John Murray, 1988. ISBN 978-0-7195-4436-1.
  • Approaches to Twelfth Night. London: Nick Hern Books, 1990. ISBN 978-1-85459-007-7. (Editor.)
  • One Night Stands: A Critic's View of British Theatre 1971–1991. London: Nick Hern Books, 1993. ISBN 978-1-85459-185-2. (Collection of reprinted revs.)
  • The Life and Work of Harold Pinter. London: Faber and Faber, 1996. ISBN 978-0-571-17103-3. 1997 [paperback] ed. ISBN 978-0-571-19065-2. (Rev. as Harold Pinter in 2007.)
  • Stage and Screen Lives. London: Oxford University Press, 2001. ISBN 978-0-19-860407-5. (Editor.)
  • Harold Pinter. London: Faber and Faber, 2007. ISBN 978-0-571-17103-3. (Rev. & updated [paperback] ed. of The Life and Work of Harold Pinter [1997].)
  • State of the Nation: British Theatre since 1945. London: Faber and Faber, 2007. ISBN 978-0-571-21034-3.
Book reviews
  • "The Life and Work of Harold Pinter (Magill Book Reviews)". Salem on Literature: Magill Book Reviews. eNotes.com. Web. (Book review of the 1996 ed.; later rev. & enl. as Harold Pinter [2007].)
Biographical profiles
  • "Billington, Michael". Who's Who 2007: An Annual Biographical Dictionary. London: A & C Black (Bloomsbury Publishing), 2007. ISBN 978-0-7136-7527-6. (159th ed.) Online site: Who's Who 2008. Accessed 6 June 2008.
  • "Featured Alumni: Michael Billington: Author and Arts Critic, St Catherine's College". University of Oxford. alumni.ox.ac.uk. Last updated 29 October 2007. Accessed 8 June 2008.
  • "Michael Billington". Contemporary Writers in the UK. British Council, Copyright, 2007. Accessed 6 June 2008. (Searchable database.)
  • Sleeman, Elizabeth. "Billington, Michael". International Who's Who of Authors and Writers 2004. London:Routledge, 2003. 55. ISBN 1-85743-179-0
Media participation and clips
  • "Michael Billington" – On the BBC, including "Results from BBC Audio & Video" (RealMedia audio clips). Accessed 8 June 2008.
  • "Michael Billington: Q&A". Pinter at the BBC. BBC Four. 6 November 2002. Accessed 8 June 2008. ("Harold Pinter's biographer Michael Billington answered your questions about the playwright on Wednesday 6 November 2002.")

External links

  • Michael Billington – Billington's own blog hosted by and featured in Theatre & the Performing Arts: The Blog, blogs.guardian.co.uk, including his hyperlinked "Profile" and articles (Web feed). Accessed 8 June 2008.
  • Michael Billington – Critical Comment – Billington's own blog hosted by and featured in What's On Stage: Special Event Blogs, whatsonstage.com. Accessed 8 June 2008.
  • Profile of Michael Billington at Contemporarywriters.com
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 



Copyright © World Library Foundation. All rights reserved. eBooks from World Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.