Sphere symmetrical group o representing an octahedral rotational symmetry. The yellow region shows the
fundamental domain.
Leonardo da Vinci's '
Vitruvian Man' (ca. 1487) is often used as a representation of symmetry in the human body and, by extension, the natural universe.
Symmetry (from Greek συμμετρία symmetria "agreement in dimensions, due proportion, arrangement")^{[1]} in everyday language refers to a sense of harmonious and beautiful proportion and balance.^{[2]}^{[1]} In mathematics, "symmetry" has a more precise definition, that an object is invariant to a transformation, such as reflection but including other transforms too. Although these two meanings of "symmetry" can sometimes be told apart, they are related, so they are here discussed together.
Mathematical symmetry may be observed with respect to the passage of time; as a spatial relationship; through geometric transformations such as scaling, reflection, and rotation; through other kinds of functional transformations; and as an aspect of abstract objects, theoretic models, language, music and even knowledge itself.^{[3]}^{[2]}
This article describes symmetry from three perspectives: in mathematics, including geometry, the most familiar type of symmetry for many people; in science and nature; and in the arts, covering architecture, art and music.
The opposite of symmetry is asymmetry.
In mathematics
In geometry
A geometric shape or object is symmetric if it can be divided into two or more identical pieces that are arranged in an organized fashion.^{[4]} This means that an object is symmetric if there is a transformation that moves individual pieces of the object but doesn't change the overall shape. The type of symmetry is determined by the way the pieces are organized, or by the type of transformation:

An object has reflectional symmetry if there is a line of symmetry going through it which divides it into two pieces which are mirror images of each other.^{[5]}

An object has rotational symmetry if the object can be rotated about a fixed point without changing the overall shape.^{[6]}

An object has translational symmetry if it can be translated without changing its overall shape.^{[7]}

An object has helical symmetry if it can be simultaneously translated and rotated in threedimensional space along a line known as a screw axis.^{[8]}

An object has scale symmetry if it does not change shape when it is expanded or contracted.^{[9]} Fractals also exhibit a form of scale symmetry, where small portions of the fractal are similar in shape to large portions.^{[10]}

Other symmetries include glide reflection symmetry and rotoreflection symmetry.
In logic
A dyadic relation R is symmetric if and only if, whenever it's true that Rab, it's true that Rba.^{[11]} Thus, "is the same age as" is symmetrical, for if Paul is the same age as Mary, then Mary is the same age as Paul.
Symmetric binary logical connectives are and (∧, or &), or (∨, or ), biconditional (if and only if) (↔), nand (notand, or ⊼), xor (notbiconditional, or ⊻), and nor (notor, or ⊽).
Other areas of mathematics
Generalizing from geometrical symmetry in the previous section, we say that a mathematical object is symmetric with respect to a given mathematical operation, if, when applied to the object, this operation preserves some property of the object.^{[12]} The set of operations that preserve a given property of the object form a group.
In general, every kind of structure in mathematics will have its own kind of symmetry. Examples include even and odd functions in calculus; the symmetric group in abstract algebra; symmetric matrices in linear algebra; and the Galois group in Galois theory.
In science and nature
In physics
Symmetry in physics has been generalized to mean invariance—that is, lack of change—under any kind of transformation, for example arbitrary coordinate transformations.^{[13]} This concept has become one of the most powerful tools of theoretical physics, as it has become evident that practically all laws of nature originate in symmetries. In fact, this role inspired the Nobel laureate PW Anderson to write in his widely read 1972 article More is Different that "it is only slightly overstating the case to say that physics is the study of symmetry."^{[14]} See Noether's theorem (which, in greatly simplified form, states that for every continuous mathematical symmetry, there is a corresponding conserved quantity; a conserved current, in Noether's original language);^{[15]} and also, Wigner's classification, which says that the symmetries of the laws of physics determine the properties of the particles found in nature.^{[16]}
Important symmetries in physics include continuous symmetries and discrete symmetries of spacetime; internal symmetries of particles; and supersymmetry of physical theories.
Many animals are approximately mirrorsymmetric, though internal organs are often arranged asymmetrically.
In biology
[18]
Plants and sessile (attached) animals such as sea anemones often have radial or rotational symmetry, which suits them because food or threats may arrive from any direction. Fivefold symmetry is found in the echinoderms, the group that includes starfish, sea urchins, and sea lilies.^{[19]}
In chemistry
Symmetry is important to chemistry because it undergirds essentially all specific interactions between molecules in nature (i.e., via the interaction of natural and humanmade chiral molecules with inherently chiral biological systems). The control of the symmetry of molecules produced in modern chemical synthesis contributes to the ability of scientists to offer therapeutic interventions with minimal side effects. A rigorous understanding of symmetry explains fundamental observations in quantum chemistry, and in the applied areas of spectroscopy and crystallography. The theory and application of symmetry to these areas of physical science draws heavily on the mathematical area of group theory.^{[20]}
In social interactions
People observe the symmetrical nature, often including asymmetrical balance, of social interactions in a variety of contexts. These include assessments of reciprocity, empathy, apology, dialog, respect, justice, and revenge. Symmetrical interactions send the message "we are all the same" while asymmetrical interactions send the message "I am special; better than you." Peer relationships are based on symmetry, power relationships are based on asymmetry.^{[21]}
In the arts
In architecture
The Taj Mahal has bilateral symmetry.
Symmetry finds its ways into architecture at every scale, from the overall external views of buildings such as Gothic cathedrals and The White House, through the layout of the individual floor plans, and down to the design of individual building elements such as tile mosaics. Islamic buildings such as the Taj Mahal and the Lotfollah mosque make elaborate use of symmetry both in their structure and in their ornamentation.^{[22]}^{[23]} Moorish buildings like the Alhambra are ornamented with complex patterns made using translational and reflection symmetries as well as rotations.^{[24]}
It has been said that only bad architects rely on a "symmetrical layout of blocks, masses and structures";^{[25]} Modernist architecture, starting with International style, relies instead on "wings and balance of masses".^{[25]}
In pottery and metal vessels
Since the earliest uses of pottery wheels to help shape clay vessels, pottery has had a strong relationship to symmetry. Pottery created using a wheel acquires full rotational symmetry in its crosssection, while allowing substantial freedom of shape in the vertical direction. Upon this inherently symmetrical starting point, potters from ancient times onwards have added patterns that modify the rotational symmetry to achieve visual objectives.
Cast metal vessels lacked the inherent rotational symmetry of wheelmade pottery, but otherwise provided a similar opportunity to decorate their surfaces with patterns pleasing to those who used them. The ancient Chinese, for example, used symmetrical patterns in their bronze castings as early as the 17th century BC. Bronze vessels exhibited both a bilateral main motif and a repetitive translated border design.^{[26]}
In quilts
Kitchen Kaleidoscope Block
As quilts are made from square blocks (usually 9, 16, or 25 pieces to a block) with each smaller piece usually consisting of fabric triangles, the craft lends itself readily to the application of symmetry.^{[27]}
In carpets and rugs
Persian rug.
A long tradition of the use of symmetry in carpet and rug patterns spans a variety of cultures. American Navajo Indians used bold diagonals and rectangular motifs. Many Oriental rugs have intricate reflected centers and borders that translate a pattern. Not surprisingly, rectangular rugs typically use quadrilateral symmetry—that is, motifs that are reflected across both the horizontal and vertical axes.^{[28]}^{[29]}
In music
Symmetry is not restricted to the visual arts. Its role in the history of music touches many aspects of the creation and perception of music.
Musical form
Symmetry has been used as a formal constraint by many composers, such as the arch (swell) form (ABCBA) used by Steve Reich, Béla Bartók, and James Tenney. In classical music, Bach used the symmetry concepts of permutation and invariance.^{[30]}
Pitch structures
Symmetry is also an important consideration in the formation of interval cycles in an analogous way to keys or nontonal tonal Tonic (music)s.
Perle (1992)^{[31]} explains "C–E, D–F♯, [and] Eb–G, are different instances of the same interval … the other kind of identity. … has to do with axes of symmetry. C–E belongs to a family of symmetrically related dyads as follows:"
D


D♯


E


F


F♯


G


G♯

D


C♯


C


B


A♯


A


G♯

Thus in addition to being part of the interval4 family, C–E is also a part of the sum4 family (with C equal to 0).
+

2


3


4


5


6


7


8

2


1


0


11


10


9


8

4


4


4


4


4


4


4

Interval cycles are symmetrical and thus nondiatonic. However, a seven pitch segment of C5 (the cycle of fifths, which are enharmonic with the cycle of fourths) will produce the diatonic major scale. Cyclic tonal progressions in the works of Romantic composers such as Gustav Mahler and Richard Wagner form a link with the cyclic pitch successions in the atonal music of Modernists such as Bartók, Alexander Scriabin, Edgard Varèse, and the Vienna school. At the same time, these progressions signal the end of tonality.
The first extended composition consistently based on symmetrical pitch relations was probably Alban Berg's Quartet, Op. 3 (1910).^{[32]}
Equivalency
Tone rows or pitch class sets which are invariant under retrograde are horizontally symmetrical, under inversion vertically. See also Asymmetric rhythm.
In other arts and crafts
Symmetries appear in the design of objects of all kinds. Examples include beadwork, furniture, sand paintings, knotwork, masks, and musical instruments. Symmetries are central to the art of M.C. Escher and the many applications of tiling.
In aesthetics
The relationship of symmetry to aesthetics is complex. Humans find bilateral symmetry in faces physically attractive;^{[33]} it indicates health and genetic fitness.^{[34]}^{[35]} Opposed to this is the tendency for excessive symmetry to be perceived as boring or uninteresting. People prefer shapes that have some symmetry, but enough complexity to make them interesting.^{[36]}
See also
Symmetry in statistics

Skewness, asymmetry of a statistical distribution
Symmetry in games and puzzles
Symmetry in literature
Moral symmetry
Other
Notes

^ For example, Aristotle ascribed spherical shape to the heavenly bodies, attributing this formally defined geometric measure of symmetry to the natural order and perfection of the cosmos.

^ Symmetric objects can be material, such as a person, crystal, quilt, floor tiles, or molecule, or it can be an abstract structure such as a mathematical equation or a series of tones (music).
References

^ "symmetry".

^ Zee, A. (2007). Fearful Symmetry. Princeton, N.J.: Princeton University Press.

^ Mainzer, Klaus (2005). Symmetry And Complexity: The Spirit and Beauty of Nonlinear Science. World Scientific.

^ E. H. Lockwood, R. H. Macmillan, Geometric Symmetry, London: Cambridge Press, 1978

^

^ Singer, David A. (1998). Geometry: Plane and Fancy. Springer Science & Business Media.

^ Stenger, Victor J. (2000) and Mahou Shiro (2007). Timeless Reality. Prometheus Books. Especially chapter 12. Nontechnical.

^ Bottema, O, and B. Roth, Theoretical Kinematics, Dover Publications (September 1990)

^ Tian Yu Cao Conceptual Foundations of Quantum Field Theory Cambridge University Press p.154155

^ Gouyet, JeanFrançois (1996). Physics and fractal structures. Paris/New York: Masson Springer.

^ Josiah Royce, Ignas K. Skrupskelis (2005) The Basic Writings of Josiah Royce: Logic, loyalty, and community (Google eBook) Fordham Univ Press, p. 790

^ Christopher G. Morris (1992) Academic Press Dictionary of Science and Technology Gulf Professional Publishing

^ Costa, Giovanni; Fogli, Gianluigi (2012). Symmetries and Group Theory in Particle Physics: An Introduction to SpaceTime and Internal Symmetries. Springer Science & Business Media. p. 112.

^ Anderson, P.W. (1972). "More is Different".

^

^ .

^ Valentine, James W. "Bilateria". AccessScience. Retrieved 29 May 2013.

^ Hickman, Cleveland P.; Roberts, Larry S.; Larson, Allan (2002). "Animal Diversity (Third Edition)". Chapter 8: Acoelomate Bilateral Animals. McGrawHill. p. 139. Retrieved October 25, 2012.

^ Stewart, Ian (2001). What Shape is a Snowflake? Magical Numbers in Nature. Weidenfeld & Nicolson. pp. 64–65.

^ Lowe, John P; Peterson, Kirk (2005). Quantum Chemistry (Third ed.). Academic Press.

^ Emotional Competency Entry describing Symmetry

^ Williams: Symmetry in Architecture. Members.tripod.com (19981231). Retrieved on 20130416.

^ Aslaksen: Mathematics in Art and Architecture. Math.nus.edu.sg. Retrieved on 20130416.

^ Derry, Gregory N. (2002). What Science Is and How It Works. Princeton University Press. pp. 269–.

^ ^{}a ^{b} Dunlap, David W. (31 July 2009). "Behind the Scenes: Edgar Martins Speaks". New York Times. Retrieved 11 November 2014.
“My starting point for this construction was a simple statement which I once read (and which does not necessarily reflect my personal views): ‘Only a bad architect relies on symmetry; instead of symmetrical layout of blocks, masses and structures, Modernist architecture relies on wings and balance of masses.’

^ The Art of Chinese Bronzes. Chinavoc (20071119). Retrieved on 20130416.

^ Quate: Exploring Geometry Through Quilts. Its.guilford.k12.nc.us. Retrieved on 20130416.

^ Marla Mallett Textiles & Tribal Oriental Rugs. The Metropolitan Museum of Art, New York.

^ Dilucchio: Navajo Rugs. Navajocentral.org (20031026). Retrieved on 20130416.

^ see ("Fugue No. 21," pdf or Shockwave)

^

^ Perle, George (1990). The Listening Composer. University of California Press.

^ Grammer, K., & Thornhill, R. (1994). Human (Homo sapiens) facial attractiveness and sexual selection: the role of symmetry and averageness. Journal of comparative psychology (Washington, D.C. : 1983), 108(3), 233–42.

^ Rhodes, Gillian; Zebrowitz, Leslie, A. (2002). Facial Attractiveness  Evolutionary, Cognitive, and Social Perspectives.

^ Jones, B. C., Little, A. C., Tiddeman, B. P., Burt, D. M., & Perrett, D. I. (2001). Facial symmetry and judgements of apparent health Support for a “‘ good genes ’” explanation of the attractiveness – symmetry relationship, 22, 417–429.

^ Arnheim, Rudolf (1969). Visual Thinking. University of California Press.
Further reading

The Equation That Couldn't Be Solved: How Mathematical Genius Discovered the Language of Symmetry, Mario Livio, Souvenir Press 2006, ISBN 0285637436
External links

Calotta: A World of Symmetry

Dutch: Symmetry Around a Point in the Plane

Chapman: Aesthetics of Symmetry

ISIS Symmetry

International Symmetry Association – ISA

Institute Symmetrion
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