Paul Chambers

Paul Chambers
Birth name	Paul Laurence Dunbar Chambers, Jr.
Born	(1935-04-22)April 22, 1935 Pittsburgh, Pennsylvania, United States
Died	January 4, 1969(1969-01-04) (aged 33)
Genres	Jazz, modal jazz, bebop, hard bop
Occupation(s)	Musician, composer
Instruments	Double bass
Years active	1954–1969
Labels	Blue Note Records, Prestige Records, Verve Records, Riverside Records
Associated acts	Sonny Clark, Benny Golson, Milt Jackson, Wynton Kelly, Hank Mobley, Art Pepper, Sonny Rollins, Kai Winding, Bud Powell, Wes Montgomery, Nat Adderley, Oliver Nelson, Jackie McLean, J.J. Johnson, Joe Henderson, Johnny Griffin, Curtis Fuller, Gil Evans, Kenny Dorham, Toshiko Akiyoshi, Philly Joe Jones, Thelonious Monk, Clifford Jordan, Kenny Drew

Paul Laurence Dunbar Chambers, Jr. (April 22, 1935 – January 4, 1969) was a jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the length and breadth of his work in this short period but also his impeccable time and intonation, and virtuosic improvisations.^[1] He was also known for his bowed solos.^[2]^[3]

Biography 1
Influence 2
Discography 3
- As a leader/co-leader 3.1
- As sideman 3.2
References 4

Biography

Born in Pittsburgh, Pennsylvania on April 11, 1935, to Paul Lawrence Chambers and Margaret Echos. He was raised in Detroit, Michigan following the death of his mother.^[4] He began playing music with several of his schoolmates; the baritone horn was his first instrument.^[1] Later he took up the tuba. "I got along pretty well, but it's quite a job to carry it around in those long parades, and I didn't like the instrument that much." Chambers became a string bassist around 1949.^[1] His formal bass training got going in earnest in 1952, when he began taking lessons with a bassist in the Detroit Symphony Orchestra. Chambers did some classical work himself, with a group called the Detroit String Band that was, in effect, a rehearsal symphony orchestra. Studying at Cass Technical High School off and on from 1952 to 1955, he played in Cass' own symphony, and in various other student groups, one of which had him playing baritone saxophone. By the time he left for New York at the invitation of tenor saxophonist Paul Quinichette, he had absorbed a working knowledge of many instruments.^[1]

Jazz bass players were largely limited to timekeeping with drums, until Thad Jones, Barry Harris and others.

From 1954 on through 1955, he gained significance touring with such musicians as J. J. Johnson and Kai Winding. In 1955 he joined the Miles Davis quintet, staying on with the group until 1963 and appearing on many classic albums, including Kind of Blue.^[2] One of Chambers's most noted performances was on that album's first track, "So What", which opens with a brief duet featuring Chambers and pianist Bill Evans.^[5] The sessions for Kind of Blue were challenging for all of the musicians, working to the peak of their musical abilities. Chambers' contribution on Kind of Blue is considered to be some of the most rhythmically and harmonically supportive bass playing in the history of jazz. From 1963 until 1968 Chambers played with the Wynton Kelly trio. He freelanced frequently as a sideman for other important names in jazz throughout his career. During the course of his lifetime Paul Chambers developed addictions to both alcohol and heroin. On January 4, 1969 he died of tuberculosis aged 33.^[2]

Influence

Chambers' accompaniment and solos with Davis and other leaders remain distinctive and influential. He and Slam Stewart were among the first jazz bassists to perform arco or bowed features. From his role in the Davis band, Chambers was the bassist in two rhythm sections. The first, with Red Garland on piano and Philly Joe Jones on drums, came to be known as "the rhythm section," that name featured on a celebrated album by saxophonist Art Pepper, Art Pepper Meets the Rhythm Section. The second, with Wynton Kelly and Jimmy Cobb, made many sessions as a unit, recording albums with John Coltrane, Wes Montgomery, and by themselves under Kelly's name in albums such as Kelly Blue.

Paul Chambers was in great demand as a session musician,^[2] and played on numerous albums during the period he was active including such landmarks as Thelonious Monk's Brilliant Corners, Coltrane's Giant Steps, and Oliver Nelson's The Blues and the Abstract Truth. Many musicians wrote songs dedicated to Chambers. Long-time fellow Davis bandmate, pianist Red Garland, wrote the tune "The P.C. Blues", and Coltrane's song "Mr. P.C." is named after Chambers. Tommy Flanagan wrote "Big Paul", which was performed on the Kenny Burrell and John Coltrane Prestige 1958 LP. Max Roach wrote a drum solo called "Five For Paul", on a 1977 drum solo LP recorded in Japan, and Sonny Rollins wrote "Paul's Pal" for him as well.